‘MATERIALITY’ EXHIBITION OPENS AT HESTERCOMBE

An exhibition inspired by the surroundings of Hestercombe will showcase the work of three artists this autumn/winter.

Sarah Bennett, Megan Calver and Philippa Lawrence have been directly engaged with Hestercombe House and Gardens over three years and the resulting exhibition has developed from these experiences.

Materiality: provisional states runs from 10 November 2018 until 24 February 2019 at Hestercombe Gallery and features exhibits using a range of media from photography, sculpture to drawing and text.

Sarah Bennett’s practice investigates institutional sites, both historical and contemporary, in UK and international settings, employing a range of artistic research methods and material processes including: digital recording, facsimile object making, observational drawing, and embodied actions. She is Head of School of Art and Architecture at Kingston University, and chairs educational events in art schools, universities and arts organisations in Europe and the USA.

Megan Calver’s new work is an iteration of her enquiry into expressions of taste and attitudes to perceived imperfections, first presented in a group show at Hestercombe in 2015. Megan Calver’s approach is process-led and for the past ten years she has focused her site-related investigations throughout the South West of England where collaborations with people and places have grown and taken hold.

After a deep study of the Hestercombe landscape, Philippa Lawrence offers works that ask us to perceive things we may have overlooked or not considered, tracing humankind’s activity in managing an estate and nature. Philippa has exhibited widely both in the UK and internationally, including in America, Japan, Czech Republic, Canada, Iceland and Australia.

Collectively interested in issues related to labour and the management of landscape and nature, Materiality: provisional states aims to examine and critique human and non-human centred activity found in Hestercombe’s past and present. The exhibition stems from archival research as well as ‘Disclosures and Dialogues’, a series of dialogue sessions with artists, curators, historians, academics and garden practitioners.